The tall twisty bits are actually just giant herringbone stitches. Pick up an EVEN number of beads, we usually used 50, but it can be any number. One very helpful hint – to make things easier, make the two center beads easily identifiable. If you are using 50 total, that would be beads 25 and 26. We usually made them the same color, with 3 or 4 beads of another color on each side.
This is the first two “stacks” of our twisty section. You sew them exactly the same way you do the regular rows, they’re just very tall. See the flat blue-green beads between the yellowish ones in the middle of the loop at the bottom of the picture? That’s our center marker beads. (NOTE! on the other two loops shown below, we used the yellow ones as markers. Not really on purpose, but because I forgot what I had started in the heat of the photographic moment.)
Here we have finished all three stacks, and have done our step up row, just like we do at the end of all herringbone rows. Notice that we’re coming out the top of one of our center-of-the-stack marker beads. Pick up two more beads and go down through the other marker bead on the stack, just like a normal herringbone stitch.
Twist the stack you are working on (where your thread is coming out) two or three times, then twist the NEXT stack the same number of times in the same direction. Be careful to watch where everything is going, and keep them twisted. (It’s PERFECTLY legit to tape the suckers together in the correct positions if you feel the need or if they’re fighting it.) The picture above shows your needle going into the top of that next stack, ready to add two beads and go back down the next beed.
And this is where it gets even more fiddly. We’ve finished adding the two beads (next herringbone stitch) to the second loop, and we need to twist that third loop the same number of times and direction as the other two. Then we go up through the marker bead in the third loop, add two beads, and back down through the other marker bead.
Work your step-up by going through the top two beads in the top of the first stack (marker and one on top) and you have completed your first twisty!
Don’t worry if one stack is twisted more or less than the others, it won’t be noticeable. The important thing is that the herringbone tube after this returns to normal.
If you want to reinforce the twists, work another pass of thread through them while you’re weaving in your ends. Doing it now might make you crazy.
This is one end of the lariat, ready to attach the leaves. We call the decrease points, where the 2-bead stacks split off (or the end stacks) the “twiggy” bits. These are the main leaf attachment points.
We don’t give you specific patterns to follow when making the leaves, but you can look at the detail photographs and figure out what we did. We used one color of main leaf bead, one or two accent bead colors, and sometimes a different leaf vein color. You DO NOT have to copy our leaves if you want to use other color arrangements. Make your leaves the way YOU want your leaves to be. You can change the main leaf colors from side to side, you can mix up several colors. You can make solid color leaves if you want. Or striped ones! Your choice!
And if you find that you’ve made a leaf you’re not in love with, try weaving larger bright accent beads to some of the accent points. Or cut it apart and pair those beads with others.
Here are a few helpful hints to save you time, though.
- Do NOT weave in or trim the last left-over long tail of leaf thread, use it to attach the leaf to the end of the lariat.
- Large accent beads (like drops or 8 rounds or bigger) tend to work better when used only on the outside of the leaf, because when they’re on the inside they can make it difficult to flatten and shape. Use smaller beads (like you would for the vein) on the inside.
- Vein beads can match the main leaf color, but it’s more interesting if they don’t.
- Small triangle beads make a very textured leaf, which usually seems to be longer and narrower than you might expect.
- Don’t worry about making parts of your leaves match. Play with the colors in your kit, try to make contrasty leaves for more pop.
- You can use more than one bead as an accent on the outside, especially if you use the 15 rounds or charlottes. (11’s will work too, though!) If they seem too floppy, weave a thread through the outside accents all the way around.
- The larger a leaf is, the more it needs the veins to help stabilize the shape. Using doubled thread, or going back through most of the vein beads, will also help keep it tidy.
- Control the length and width of the leaf by varying the number of beads you use for the center vein. (I know, it seems obvious, but sometimes people end up with a lot of short wide (or tall skinny) leaves until they make that connection.)
- Please don’t weave in or trim the last left-over long tail of leaf thread, use it to attach to the end of the lariat if it’s long enough. (Sorry to harp on it, but it’s a huge timesaver if you leave that last tail and don’t weave it in.)
Each Dancing Leaves kit contains two spools of size D C-lon beading thread. Use which ever color you like. Using darker thread will darken the appearance of transparent beads, lighter thread will make them look lighter. You can switch thread partway through a color segment to blend bead colors better. Or not. Don’t worry about it if you switch colors in the middle, it will add more interest.
If you have to add thread, leave yourself 4-5 inches of tail, and weave it in circles through 3 or 4 beads to lock it in place. You can make half-hitch knots around the thread, and then go through another few beads. Start a new thread by weaving circles through 2 or three beads and come out ready to add your new beads.
If you absolutely MUST tie a knot, try the magic invisible knot we use:
- Make a slip-knot loop at the end of the new thread, leaving a free tail of 4 inches or so. The loop must shrink when you pull the LONG working end, not the short end. This is hugely important.
- Poke the old tail up through the slip-knot loop. Pull (or hold) all three threads at the same time.
- When the loop gets tight enough, you will hear a teensy “pop!” that signals the knot is good. Sometimes you can’t see it because it slides down inside a bead.
- You can tug GENTLY on the long working thread to make sure it’s locked. If not, slide it off and do it again.
- Pulling hard on either of the short tails will UNLOCK the knot, and the new thread can pull off. (Don’t worry, we’ve never had this happen once the tails were woven in.)
- After working a few stitches with the new thread, you can weave in the tails gently, being careful not to pull too hard in the beginning.
- If you use a thread lubricator (Thread Heaven, beeswax, etc.), do not coat the slip-knot end of the new thread. Lubricated thread doesn’t hold the knot as well.
If you are a Fireline person, feel free to use it instead of the included thread. It will make everything just a bit stiffer, which is probably why you use Fireline in the first place. Use the 4lb for best results, as some of the beads get several passes through.
Yes, Beloved Campers, this weekend is DFW Fiber Fest in the Grapevine Convention Center.
What (I hear a faint voice calling) the Heck is Fiber Fest? Well, imagine Spring Break for Grownups, with all the usual SpringBreaking high jinks, with all the lovely fiber, yarn, and toys anybody could dream of, but without sand, sunburn, and the horror that is Swimwear.
That, my dears, is what it’s all about. And the Artful Bead is thick in the middle of it again this year.
The vendor area is open 9:00am – 6:00pm Friday and Saturday, and on Sunday but I don’t have it handy. Check it out at www.dfwfiberfest.org.
Oh, yeah, one more thing.. I’m too lazy to add that link tonight. So just type the dang thing in, OK?
I have to get some sleep now. Our booth is directly across from Brooks Farm Yarns. (Yes, the EXACT same yarn that mugged me 3 years ago and made me buy it and take it home. And it turned into a lovely kimono jacket, if I do say so myself.) I know it was watching me. Waiting to throw itself across the aisle and into my arms.
It will be all soft and colorful at me. And I will have to pay for it and take it home.
I make a crappy victim, don’t I?